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Oliver Nelson-The Blues & The Abstract Truth (1961) Jazz Bop A+

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Music : Jazz : AAC
Oliver Nelson-The Blues
& The Abstract Truth ,
Genre: 
Jazz 
Style: 
Hard Bop, Modal 
Year: 
1961 
Mca
Impulse Label.
AAC-LC 320 Kbs Full Id3 Tags & Cover Art Plays Great On Portable Players Like Sansa Clip Zip
ect.

 
Audio Sample https://www.youtube.com/watch?v=RbaGDDbpcQ4
The Blues and the Abstract Truth is a jazz album by
American jazz saxophonist Oliver Nelson recorded in February 1961. It remains Nelson's most acclaimed album and features
a lineup of notable musicians: Freddie Hubbard, Eric Dolphy (his second-to-last appearance on a Nelson album following a
series of collaborations recorded for Prestige), Bill Evans (his only appearance with Nelson), Paul Chambers and Roy
Haynes. Baritone saxophonist George Barrow does not take solos, but still remains a key feature in the subtle voicings
of Nelson's arrangements.

The album is an exploration of the mood and structure of the blues, though only
some of the tracks are structured in the conventional 12-bar blues form. In this regard, it may be seen as a
continuation of the trend towards greater harmonic simplicity and subtlety via reimagined versions of the blues that was
instigated by Miles Davis's Kind of Blue in 1959 (Evans and Chambers played on both albums).
Among the pieces on
the album, "Stolen Moments" is the best known: a sixteen-bar piece in an eight-six-two pattern, even though
the solos are in a conventional 12-bar minor-key blues structure in C minor. "Hoe-Down" is built on a
forty-four-bar structure (with thirty-two-bar solos based on "rhythm changes"). "Cascades" modifies
the traditional 32-bar AABA form by using a 16-bar minor blues for the A section, stretching the form to a total of 56
bars. The B-side of the album contains three tracks that hew closer to the 12-bar form: "Yearnin'",
"Butch and Butch" and "Teenie's Blues" (which opens with two 12-bar choruses of bass solo by
Chambers
AllMusic Review by Michael G. Nastos 

As Oliver Nelson is known primarily as a big band leader
and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues and the Abstract Truth is his
triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen
Moments," but on this recording, assembling one of the most potent modern jazz sextets ever. Lead trumpeter Freddie
Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to
form an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass), and Roy Haynes (drums)
can do no wrong as a rhythm section. "Stolen Moments" really needs no comments, as its undisputable beauty
shines through in a three-part horn harmony fronting Hubbard's lead melody. It's a thing of beauty that is more timeless
as the years pass. The "Blues" aspect is best heard on "Yearnin'," a stylish, swinging, and swaying
downhearted piece that is a bluesy as Evans would ever be. Both "Blues" and "Abstract Truth" combine
for the darker "Teenie's Blues," a feature for Nelson and Dolphy's alto saxes, Dolphy assertive in stepping
forth with his distinctive, angular, dramatic, fractured, brittle voice that marks him a maverick. Then there's
"Hoedown," which has always been the black sheep of this collection with its country flavor and stereo
separated upper and lower horn in snappy call-and-response barking. As surging and searing hard boppers respectively,
"Cascades" and "Butch & Butch" again remind you of the era of the early '60s when this music was
king, and why Hubbard was so revered as a young master of the idiom. A must buy for all jazz fans, and a Top Ten or Top
Fifty favorite for many. 

Reception
Writing in the December 21, 1961 issue of Down Beat magazine jazz
critic Don DeMicheal commented: "Nelson's playing is like his writing: thoughtful, unhackneyed, and well
constructed. Hubbard steals the solo honors with some of his best playing on record. Dolphy gets off some good solos
too, his most interesting one on "Yearnin'.
The Jazz Journal International cited the album as "one of the
essential post-bop recordings.

Track listing
All tracks composed by Nelson.
"Stolen
Moments" – 8:46
"Hoe-Down" – 4:43
"Cascades" – 5:32
"Yearnin'" – 6:24
"Butch and Butch" – 4:35
"Teenie's Blues"
– 6:33

Personnel
Musicians
Oliver Nelson – alto saxophone, tenor saxophone 
Eric
Dolphy – flute, alto saxophone 
George Barrow – baritone saxophone 
Freddie Hubbard –
trumpet 
Bill Evans – piano 
Paul Chambers – bass 
Roy Haynes – drums

Production
Rudy Van Gelder – recording engineering 
Chuck Stewart – photography 
Pete
Turner – cover design
       
                                                     

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